Filmbeschreibung und Filmdaten
Njinga - The Queen King (1993) - DVD
Studio: Codaex Deutschland · Originaltitel: Oliveros, Pauline / Ione - Njinga The Queen King
| Medien-Typ: | DVD | |
| Genre: | Musik | |
| Studio: | Codaex Deutschland | |
| Regie: | Ione | |
| Laufzeit: | 193 min | |
| Jahr: | 1993 | |
| Land: | USA | |
| Originaltitel: | Oliveros, Pauline / Ione - Njinga The Queen King | |
| Kaufen: | Ab 1€ bei Filmundo.de |
Handlung und Filmbeschreibung:
A Play with Music and Pageantry
Njinga ruled 17th century Ndongo - now Angola - as a “king” because tribal custom forbade her to rule as a woman. A skilled diplomat and fierce warrior, Njinga kept the Portuguese at bay from Ndongo for the 40 years of her rule. Flowing freely between time periods, Njinga traces the diaspora of Njinga’s people to Brazil and the United States, linking the ancient warrior’s life to that of a contemporary African-American woman who has lost touch with her heritage. As storytelling is a deeply-rooted element of African culture, Njinga features two Kilunda (spirit) characters who step in and out of the action, leading the viewers through the play. The final element in the mix is capoeira, the liquid, hybrid movement form of self-defense as dance - which has its roots in Angola and flourishes today in Brazil.
Oliveros’ score, and the use of electronics and spatialization, provides an environment for the extensive use of traditional African music, heightening the drama.
This live recording is based on the BAM (Brooklyn Academy of Music) Next Wave Festival performances of 1993.
Njinga ruled 17th century Ndongo - now Angola - as a “king” because tribal custom forbade her to rule as a woman. A skilled diplomat and fierce warrior, Njinga kept the Portuguese at bay from Ndongo for the 40 years of her rule. Flowing freely between time periods, Njinga traces the diaspora of Njinga’s people to Brazil and the United States, linking the ancient warrior’s life to that of a contemporary African-American woman who has lost touch with her heritage. As storytelling is a deeply-rooted element of African culture, Njinga features two Kilunda (spirit) characters who step in and out of the action, leading the viewers through the play. The final element in the mix is capoeira, the liquid, hybrid movement form of self-defense as dance - which has its roots in Angola and flourishes today in Brazil.
Oliveros’ score, and the use of electronics and spatialization, provides an environment for the extensive use of traditional African music, heightening the drama.
This live recording is based on the BAM (Brooklyn Academy of Music) Next Wave Festival performances of 1993.
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